"You might not be aware of New York City jazz singer and performance artist Pyeng Threadgill...You should be." - Blues & Beyond 2004

Of The Air is the first collection of original work by singer-composer Pyeng Threadgill. While she has certainly been embraced in the jazz world, Pyeng categorizes her music as progressive pop, asserting that jazz was once considered popular music. "I'm just trying to bring jazz in all of its branches back to a popular position, which is where it originated. People who listen to straight ahead Jazz may not listen to the more avant garde improvisation or mainstream Pop and if someone is listening to my music they wind up hearing influences from all of the above. That's when I feel I am succeeding as an artist."

Threadgill received widespread critical acclaim for her 2004 debut album, "Sweet Home: The Songs of Robert Johnson". "Countless artists have recorded Johnson's songs", said the San Francisco Chronicle in 2004, "..but none has rendered them quite like Threadgill." On the heels of this impressive introduction, Of The Air faces up to a tall order. "Sweet Home" was named one of the best debut albums of 2004 by the San Diego Union Tribune and C. Michael Bailey in his review for All About Jazz said, "this very well may be the best recording of 2004 to come my way". Pyeng, however, is confident that her penchant for simultaneously reaching forward and back will once again achieve her goal to incorporate music of the past with contemporary music: African American traditionals/spirituals, the avant garde and her own modern alternative experience in punk, R&B and soul.

Threadgill's musical roots run deep. Daughter of jazz composer Henry Threadgill and choreographer Christina Jones, Pyeng received her BA in music from the prestigious Oberlin College and was awarded the Mellon fellowship to study music in Brazil. Pyeng continued her education at the Institute for Audio Research and is currently working on certification in the Alexander Technique, a teaching method designed to help change habitual tension patterns and increase movement awareness.

Ultimately, Pyeng's sound defies categorization. Her voice, perhaps best described as "a cross between Jill Scott and Cassandra Wilson by way of Nina Simone" (San Diego Union Tribune, 2004) coincidentally invokes her wish to tie together the old with the new. At times, listening feels like a Billie Holiday record, and the next moment you are transported into a smoky New York City hipster joint. Says Threadgill: "The famous Jazz singers that we listen to...Ella Fitzgerald, Nancy Wilson, Dinah Washington, Sarah Vaughn, etc. were singing the Pop music of their day. There is something inspiring about that to me. So I study and perform that repertoire while creating for all generations using the influences of my favorite singers and songwriters from Stevie Wonder to Bjork to Bob Marley".

Of The Air (the meaning of 'Pyeng', as assigned by her mother) delivers the same risk-taking, soulful, transcendent qualities of "Sweet Home". Introducing a new cast of collaborators- Shelley Doty on guitar, Lisa Mezzacapa on acoustic bass and Micha Patri on drums and percussion and featuring several musicians from her New York contingent - Dana Leong on cello, Dimitri Moderbacher on saxophone and clarinet, and Ryan Scott on guitar - this album promises to satisfy the already converted and win over the rest. Add to this a surprise appearance from esteemed Jazz pianist/composer Myra Melford and the result is once again a daring collage of musical exploration. Of The Air's uniqueness is largely due to the coupling of Threadgill's vision with the organic treatment by engineer/co-producer Myles Boisen. The entire album was recorded analog, in keeping with Pyeng's interest in maintaining a vintage approach to new material. "An artist with a point of view and the chops to bring it life" (onefinalnote.com), Pyeng Threadgill is a name that's hard to forget and an artist who produces music for the ages.